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William Hinton. Shenfan: the Continuing Revolution in a
In Shenfan,
William Hinton does precisely what the title (“shenfan” meaning deep tillage,
deep overturning) suggests—he digs deep into the revolutionary experience of a
Shanxi village and reveals a rich story of conflict, contradiction and
cooperation in rural China. After more
than twenty years of exile from Long Bow (due primarily to the State
Department’s denial of a passport), Hinton finally returned to the village in
1971 to find a world vastly different from the one he had left in 1949. This book chronicles how, with the aid of his
daughter Carma, he continues the work of Fanshen and in six separate visits
from 1971 to 1981 attempts to reconstruct the turbulent political and economic
changes that had swept through the countryside.
Hinton’s
account is a wealth of detail from cover to cover. The nearly eight hundred pages of text and intricate
coverage caused one reviewer to remark that “even devotees of Dream of the
Red Chamber would be confused by the gigantic cast that appears in the
continuing saga of Long Bow” (Norma Diamond, JAS 44.4, Aug. 1985, p.
791). Through extensive interviews and
close contacts with Long Bow villagers that go as far back as 1949, Hinton
illuminates the conditions of day-to-day peasant life in a way that has rarely
been seen before or since. Shenfan’s
strength also lies in the way the author allows the words of his interviewees
to speak for themselves. While the
scattered memories of various villagers may seem to detract from the coherence
of the narrative, the often free-flowing presentation of their recollections without
excessive narrator intrusion is effective in showing how various people in Long
Bow thought through problems and dealt with historical memory in different
ways. Thus, major events in village life
like the mass campaigns of the Great Leap Forward, the Socialist Education
Movement, and the amusing frenzy of the pig-raising movement in 1971 are
juxtaposed with village gossip and war stories told by nostalgic peasants. While this sometimes leads to confusion over
relative timing of events—as the book does not strictly adhere to a chronological
approach—the overall effect of Hinton’s use of anecdotes is a fascinating
picture of how contradictions played out in rural Chinese life.
In
his reconstruction of the Cultural Revolution’s factional fighting in and
around Long Bow, Hinton pays close attention to the interaction between local
village events and events at higher levels of administration. His analysis of the rise and fall of
extraordinary careerists like “Old Dare” Yang Chengxiao in Shanxi points to
“powerful centrifugal impulses” in Chinese society that fed factionalism at the
provincial, regional, local, clan and sect level; at the same time, he states
that “impulses from below would…never have driven an entire province to virtual
civil war, had they not been fanned from above at each instance…” (p.
648). Hinton alternates between local
narratives and his own knowledge of events in Beijing (including Qinghua, the
subject of his Hundred Day War) to illustrate how factional fighting not
only in Long Bow, but throughout Shanxi and beyond, had little to do with
important ideological or political differences and more to do with “the ‘outs’
expressing dissatisfaction with the performance of the ‘ins’” (p. 521). His narrative also reveals a meticulous attention
to factors which may account for the intensity of the Cultural Revolution in
Long Bow. The village’s semi-suburban
proximity to factories and railroad access, social cleavages by lineage and
geographical divides along a north-south axis—and ultimately the failure of
collectivization to substantially raise per capita yields in the poor
soil—contributed to Long Bow’s volatility during the GPCR in ways that were
perhaps atypical of other “rural” locales.
Ultimately, he summarizes the Cultural Revolution as a “series of
intertwined events so surreal and bizarre…that no novelist could hope to dream
them up, and no reporter could hope to reconstruct them in full” (p. 492).
Shenfan
is not a
disinterested appraisal of collectivization in rural
Hinton
states from the outset that his objective in investigating and describing the
revolutionary experience of Long Bow village remains what it was when he penned
Fanshen: “to reveal through the microcosm of one small village something
of the essence of the continuing revolution in China” (p. xviii). It may well be asked whether such a microcosm
and its experiences can indeed be extrapolated to larger issues in
Dahpon Ho
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